Quincy’s Musical Families: Winkings and Wagners Influence City’s Music Scene

Quincy has
had many musical families. Among the more prominent are the Wagners and the
Winkings, whose stories are virtually parallel, often interconnected, and cover
the same decades. Both families had fathers who taught in the same place, and
both had families with many children who also played or taught music.
For the
Winkings, the story started in the 1920s with Rudolph and Dorothy Winking,
exploring their love of music and applying their trade in Quincy. Dorothy had
studied voice and piano in Chicago and returned to Quincy where she taught
piano for decades. Rudolph played upright bass in local vaudeville theaters.
They also sang in the St. Boniface Church choir. Their two sons John and
Charlie, took to music, absorbing the sounds and rhythms they heard around the
house as both parents continued to perform or teach music. The boys took piano
lessons from their mother who told them that though their family were “just
plain people,” playing music allowed them to enjoy “the greatest expression of
this life.” John went on to teach music at the University of Alabama at
Huntsville until his death in 1994. Charlie stayed in the area and had a family
in which seven others would spread the joy of music.
In the late 1940s,
Charlie Winking played baritone in the Notre Dame High School band where he met
Mary Ann Hoffman, who played string bass. After graduation in 1951, they
married. Charlie taught music in Camp Point for a year and then in Griggsville,
necessitating a move out of Quincy. He was also doing some arranging for local
groups and had begun his college studies, culminating in his master’s degree in
Music Education from the University of Illinois. Prior to graduating, Winking
had applied for a professorship at Quincy College and was accepted. He, Mary
Ann, and their five children moved back to Quincy and in 1961, Charlie joined
the small but expanding Music Department at Quincy College chaired by another
patriarch of a large musical family, Lavern Wagner.
Wagner, an Iowa native,
had played in Army Air Force bands during World War ll and then gone on to
college first in Iowa, then Ohio, then earning his Ph. D. in 1957 at the
University of Wisconsin. He joined the small Quincy College Music Department
which had few music majors, not many instruments, and only one other staff
member, Hugh Soebbing. He expanded the department by recruiting more students,
adding more courses, hiring more teachers—including Charlie Winking—and
spending his own money. When the college declined his request to purchase a
harpsichord, Wagner bought a kit and put one together on his own.
The coursework was
intense: Music majors had to learn to play every instrument and learn the
history of music. Former student John Bernzen (Class of ‘72) recalls Wagner
easing the load somewhat by reading the text in class instead of assigning it
as homework. Bernzen credits Wagner’s authoritative knowledge of music theory
and history with aiding him in his own future career as a band teacher, giving
him “a lot more knowledge than my colleagues”. Pam Potter (‘65), debated
whether to enter the workforce or go to grad school. She recalls Wagner
encouraging her to continue her music studies at the University of Iowa. She
did, joining the school’s band on a US State Department tour of Europe and the
USSR, giving her “the experience of a lifetime.” Potter went on to teach band
at Quincy Notre Dame and became conductor of the Quincy Park Band.
The music department
expanded steadily, moving into its own building in 1967. By 1968 the
music program included five choral groups, a forty-five-piece wind ensemble,
and quintets for brass and woodwinds. That same year the wind ensemble,
directed by Winking, was voted the best Catholic college band, an honor it
would retain for two more years. Dennis Bingheim (‘79) recalls Winking
expecting “excellence all the time”, even in practice. If a mistake was made in
any section of the band a second time, the section leader would be demoted to
last. Winking also had his motivational side. Bernzen, who was once “fired” by
Winking for preferring high school football practice to trombone lessons (but
eventually returning to music), would come to know Winking as a “mentor and a
dear friend...the most influential person in my life other than my
father.”
Besides being teaching colleagues for twenty-two years, Wagner and Winking both enrolled their children in St. Francis School, taught music to their children and some of each other’s children, played in the Park Band, and spent their “off” hours in music-related projects. In the early 1960s, Winking was instrumental in starting the Parochial Music Organization which brought music instruction into local Catholic schools. He played in many local dance bands and was a guest conductor in and out of the state. He played in the Quincy Symphony Orchestra with his wife and, at various times, with each of their six children. He judged music contests, worked with the Park Board’s public school summer music program, and much more.
Dr. Wagner spent
more than two decades researching 16th Century Spanish court music, resulting
in a fourteen-volume work published in 1981. He wrote many music articles,
composed three high school musicals, researched 19th Century military band
music in Texas, and, with his wife, Joan, performed with their fourteen
children as The Wagner Family Singers.
The Winking and Wagner children all played music for various lengths of time and some are still playing. They have performed many kinds of music and played with Willie Nelson, James Brown, and the Manhattan Transfer. They have taken their musical expertise into nearly all fifty states and into other countries. Theirs is a story rooted in Quincy’s past that continues to this day.
Sources
Bradshaw, Bill, “Music a Way of Life for Winking”, Quincy Herald-Whig , [no date] 1979.
Legacy.com. Dr . Lavern J . Wagner [obituary from the Quincy Herald-Whig . Dec. 6, 2012]. Chicago, IL, USA: Legacy.com, Inc., 202
Quincy College Gyrfalcons , 1964-1974.
Wagner, Joan E. and Lavern J., Pick Up Your Feet. Quincy, IL: Lavern Wagner Publishing, 2003 (pp. 286-302).





